{"id":5840,"date":"2022-10-21T13:20:37","date_gmt":"2023-08-03T15:08:21","guid":{"rendered":"https:\/\/www.2changingart.com\/product\/deconstructions-guggenheim-ny\/"},"modified":"2023-08-03T16:08:21","modified_gmt":"2023-08-03T15:08:21","slug":"guggenheim-ny","status":"publish","type":"product","link":"https:\/\/www.2changingart.com\/en\/product\/guggenheim-ny\/","title":{"rendered":"Deconstructions &#8211; Guggenheim NY"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p class=\"p1\"><span class=\"s1\">&#8220;Mine is an extended photography, a collage that extends time. For me, it&#8217;s fascinating not to be bound by the uniqueness of a single photo. I prefer to rely on a sequence, almost a panorama, where the lens is mobile. This is made possible because I possess a unique camera that I personally modified to achieve this panoramic sequence effect. There is no camera on the market capable of capturing these types of photos. With this camera, I can change the perspective and viewpoint with every shot, something that a traditional panorama cannot provide, as it is limited to capturing a single moment and doesn&#8217;t express the surrounding time. I&#8217;m not seeking the perfection of the image; rather, I prefer to take handheld photos without using a tripod, allowing me to be mobile, flexible, and instinctive. Working with image collages is highly communicative, more vibrant than a static image. Both dimensions should coexist, just as they do in reality\u2014simultaneous and open to contamination, just like my photography aims to be.&#8221;<\/span><span class=\"s2\">\u201d <\/span><span class=\"s1\">Joe Oppedisano<\/span><\/p>\n<p>Photograph, black and white, <span class=\"s1\">106&#215;121 cm, 1997<\/span><\/p>\n","protected":false},"featured_media":3856,"template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":""},"product_brand":[],"product_cat":[234],"product_tag":[368,352],"class_list":["post-5840","product","type-product","status-publish","has-post-thumbnail","product_cat-photography","product_tag-guggenheim-en","product_tag-oppedisano-en","first","instock","taxable","shipping-taxable","purchasable","product-type-simple"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Deconstructions - Guggenheim NY - 2changingart<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.2changingart.com\/en\/product\/guggenheim-ny\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Deconstructions - Guggenheim NY - 2changingart\" \/>\n<meta property=\"og:description\" content=\"&quot;Mine is an extended photography, a collage that extends time. For me, it&#039;s fascinating not to be bound by the uniqueness of a single photo. I prefer to rely on a sequence, almost a panorama, where the lens is mobile. This is made possible because I possess a unique camera that I personally modified to achieve this panoramic sequence effect. There is no camera on the market capable of capturing these types of photos. With this camera, I can change the perspective and viewpoint with every shot, something that a traditional panorama cannot provide, as it is limited to capturing a single moment and doesn&#039;t express the surrounding time. I&#039;m not seeking the perfection of the image; rather, I prefer to take handheld photos without using a tripod, allowing me to be mobile, flexible, and instinctive. Working with image collages is highly communicative, more vibrant than a static image. 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