1.02changingarthttps://www.2changingart.com/en/rich600338<blockquote class="wp-embedded-content" data-secret="SbpY9pXwFY"><a href="https://www.2changingart.com/en/product/axel/">Deconstructions – Axel</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.2changingart.com/en/product/axel/embed/#?secret=SbpY9pXwFY" width="600" height="338" title="“Deconstructions – Axel” — 2changingart" data-secret="SbpY9pXwFY" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.2changingart.com/wp-includes/js/wp-embed.min.js </script> https://www.2changingart.com/wp-content/uploads/2022/10/Collage-AXEL-1992-70x4776-1-600x879.jpg600879"Mine is an extended photography, a collage that extends time. For me, it's fascinating not to be bound by the uniqueness of a single photo. I prefer to rely on a sequence, almost a panorama, where the lens is mobile. This is made possible because I possess a unique camera that I personally modified to achieve this panoramic sequence effect. There is no camera on the market capable of capturing these types of photos. With this camera, I can change the perspective and viewpoint with every shot, something that a traditional panorama cannot provide, as it is limited to capturing a single moment and doesn't express the surrounding time. I'm not seeking the perfection of the image; rather, I prefer to take handheld photos without using a tripod, allowing me to be mobile, flexible, and instinctive. Working with image collages is highly communicative, more vibrant than a static image. Both dimensions should coexist, just as they do in reality—simultaneous and open to contamination, just like my photography aims to be."” Joe Oppedisano Black and white photograph, 70x47,76 cm, 1992